Designers

Renowned graphic artist VERDY has partnered with Japanese fashion brand ER for their first-ever collaborative collection, a nine-piece capsule centered around a heart motif and a striking red-and-black color scheme. The collection, which launches on October 24, 2026, merges VERDY's distinctive graphic style with ER's modern, feminine aesthetic. ER, founded by Japanese fashion model emma and stylist Rino Nakamura, provides a clean design foundation that complements VERDY's bold and recognizable artistic universe. Emma, who has maintained a friendship with VERDY since the early days of ER, envisioned this collaboration as a natural progression for the label. The resulting nine-piece assortment features co-branded logos and signature heart graphics, applied across a range of streetwear essentials and lifestyle accessories. VERDY, known for his influential work with brands like Girls Don't Cry and Wasted Youth, has infused the collection with his characteristic characterful approach. The graphics are integrated into familiar silhouettes, creating a balance between ER's youthful sensibility and VERDY's impactful design language. The ER x VERDY collection will be available starting October 24, 2026, at the BEAUTY&YOUTH UNITED ARROWS Shinjuku Women's Store and Osaka store, as well as through the United Arrows online store. Pricing for the items ranges from ¥2,530 JPY (approximately $16 USD) for socks to ¥41,800 JPY (approximately $264 USD) for a stadium jacket. Additionally, an expanded selection of the collection will be featured at the Shinjuku store from October 24 to November 3, offering a more comprehensive look at the collaborative pieces. This partnership highlights the intersection of contemporary streetwear art and emerging Japanese fashion labels, leveraging the established influence of VERDY to introduce ER to a wider audience. The use of a prominent heart graphic, a recurring motif in VERDY's oeuvre, serves as a unifying element across the apparel and accessories, symbolizing connection and shared creative vision between the two entities. The collection's focus on essential streetwear items, such as graphic tees, hoodies, and outerwear, aligns with current fashion trends while maintaining a timeless appeal through strong graphic design and a curated color palette.

Knoll has launched the Knoll Chermayeff Storage collection, a new line of furniture designed by architect Sam Chermayeff that reinterprets the brand's foundational modernist principles for modern living. This collection serves as a direct evolution of Florence Knoll’s seminal 1961 credenzas, maintaining the original pieces' precise logic of steel, veneer, and marble construction while introducing entirely new forms and proportions. Knoll Creative Director Jonathan Olivares has categorized the collection as "adaptive reuse," aiming to extend classic architectural visions to foster more fluid approaches to living and working environments. The Chermayeff Storage collection transforms storage from a purely functional requirement into an architectural element that serves as a backdrop for displaying books, objects, and personal items. The line includes tall open shelving units that extend the system vertically, enhancing spatial presence and offering the potential for subtle room division. A dedicated bar cabinet is also featured, positioning storage as a central element for social gatherings and entertaining. The collection is further expanded with coffee tables, side tables, and console tables, incorporating concealed drawers to integrate everyday organization into lower-profile, informal furniture types. Visually, the pieces maintain the clean geometry and structural rigor characteristic of Florence Knoll’s original credenzas. However, Chermayeff introduces a more dynamic character through adjusted proportions and a revitalized color palette, featuring expressive finishes such as Dark Red Ultra, Dark Python, and Iris lacquer. This deliberate balance between historical continuity and contemporary adaptability distinguishes the Chermayeff Storage from a standard Knoll reissue. Unlike typical restorations that preserve an existing object through updated materials, finishes, or colors, Chermayeff's approach builds upon Florence Knoll’s original system by creating new applications and expressions of its core design philosophy. The collection's design process involved extensive research into Florence Knoll's archives, focusing on the modularity and material integrity of her early work. Sam Chermayeff, known for his work in architectural design and furniture, collaborated closely with the Knoll design team to ensure the new pieces resonated with the brand's heritage while meeting contemporary functional and aesthetic demands. The collection's introduction marks a significant moment for Knoll, celebrating its legacy while embracing innovation in furniture design for the 21st century. The pieces are intended to be versatile, suitable for both residential and commercial spaces, reflecting the evolving nature of how people use their environments.

Thierry Henry, the esteemed Director of Football for the Swiss performance brand On, has provided an exclusive, closer look at the company's highly anticipated debut football boot. This significant unveiling, shared via Henry's personal Instagram account, offers a comprehensive glimpse into the technical prowess and forward-thinking design philosophy that On intends to bring to the competitive world of football footwear. The prototype boot, identified by the development code ON-DCPT-KM210, immediately draws attention for its innovative construction. It features a remarkably thin and translucent upper, a direct result of On's proprietary LightSpray technology. This advanced manufacturing process utilizes robotic spraying to create a seamless, one-piece upper, thereby eliminating the traditional stitched seams and separate structural overlays that are common in conventional football boots. This seam-free design not only contributes to a strikingly minimalist aesthetic but is also engineered to significantly reduce the boot's overall weight, a critical factor for enhancing player agility and performance on the pitch. This technological focus aligns perfectly with On's established brand identity, which is built upon a foundation of cutting-edge engineering and a relentless pursuit of athletic efficiency, primarily honed through their acclaimed running shoe collections. The preview of this football boot marks a pivotal moment following On's formal expansion into the professional football arena. The brand has strategically assembled an impressive roster of athletes to champion its entry, prominently featuring Kylian Mbappé, the electrifying forward for Real Madrid, who was among the very first to wear this groundbreaking cleat during its development phase. Complementing Mbappé is Sydney Schertenleib, a talented midfielder for FC Barcelona, underscoring On's ambition to establish a strong presence at the highest echelons of the sport. While Henry's Instagram teaser showcases a development prototype, it powerfully illustrates On's clear intention to directly translate its renowned footwear engineering expertise to the demanding requirements of professional football. The public release of the On football boot is officially scheduled for early 2027, indicating a deliberate and thorough period of testing and refinement before the product becomes available to the wider consumer market. This timeline suggests a strategic approach to ensure the boot meets the rigorous standards expected by both elite athletes and discerning consumers.

Anthony Vaccarello has officially concluded his ten-year tenure as Creative Director at the esteemed French luxury house, Saint Laurent. His final collection, a dramatic September runway presentation in Paris, marked the culmination of his influential period at the helm. Vaccarello, a Belgian designer, assumed creative leadership in 2016, succeeding Hedi Slimane, another designer known for his transformative impact on the brand. Upon his arrival, Vaccarello swiftly established a potent and recognizable visual identity for Saint Laurent. This aesthetic was deeply rooted in high-octane glamour, characterized by sharp, impeccably tailored silhouettes and a decidedly sensual approach to eveningwear. His runway shows often utilized the iconic backdrop of the Eiffel Tower, amplifying the brand's Parisian heritage and its association with sophisticated luxury. During Vaccarello's decade-long stewardship, Saint Laurent experienced a remarkable period of financial expansion. The brand's annual revenues saw a near tripling, reaching a significant peak of €3.3 billion EUR. This substantial growth was not solely attributable to high-fashion runway pieces; it was significantly driven by the commercial success of more accessible, yet equally luxurious, everyday items. These included popular leather goods, sharply designed footwear, and statement outerwear, which resonated strongly with a global clientele. Vaccarello's vision extended beyond the traditional fashion calendar. In 2023, he spearheaded the launch of Saint Laurent Productions, a strategic move to broaden the brand's cultural footprint. This initiative saw the house backing critically acclaimed films by renowned directors such as Pedro Almodóvar and David Cronenberg, further cementing Saint Laurent's association with artistic and cultural influence. Luca de Meo, the CEO of Kering, Saint Laurent's parent company, acknowledged Vaccarello's significant contributions. He expressed "sincere gratitude" for the designer's impact, highlighting how Vaccarello's "creative vision and exacting standards" were instrumental in "strengthening the enduring influence of one of France's greatest couture houses." De Meo emphasized that the brand is now poised to embark on a "new chapter in its history." Vaccarello's departure coincides with a period of broader strategic recalibration within Kering, which is currently under the leadership of its new Chief Executive. Saint Laurent's own CEO, Cédric Charbit, is also actively involved in navigating this transition. The brand's future strategic direction aims to solidify its market position by reinforcing its offerings in daywear, menswear, and high-end leather goods, seeking to assert its authority and appeal across a wider spectrum of luxury consumption, beyond its established strength in eveningwear. Kering has indicated that new creative leadership for Saint Laurent will be announced in the near future.

Japanese apparel retailer GU has once again joined forces with Daiki Suzuki's acclaimed design studio, Engineered Garments, for their third collaborative collection, set to launch for the Fall/Winter 2026 season. This latest eight-piece capsule continues the brands' shared commitment to utilitarian design and functional apparel, building upon the success and aesthetic established in their previous joint ventures. The collection places a pronounced emphasis on adaptable layering, essential for navigating colder climates, and incorporates practical detailing that has become a hallmark of Engineered Garments. Central to the range is the Padded 2WAY Oversized Work Coat, a testament to the collection's versatility. This innovative outerwear piece is constructed from a robust three-layer bonded polyester ripstop fabric, chosen for its inherent water-repellent, wind-resistant, and insulating properties, making it ideal for inclement weather. Its unique design allows for a functional transformation, enabling the wearer to convert the long coat into a shorter coverall by simply folding the hem inward. Further enhancing its utility, the coat features integrated padding for warmth, a classic corduroy collar, and generously sized utility pockets, embodying the practical and thoughtful design ethos of Engineered Garments. Complementing the work coat are other notable outerwear pieces. The Cozy Melton Parka offers a contemporary reinterpretation of traditional flight jacket silhouettes, presented in a cropped, rounded form and crafted from a fabric that evokes the texture and appearance of vintage wool. For added warmth and tactile appeal, the Fleece Utility Jacket and Fleece Hooded Oversized Vest introduce plush fleece materials, a staple for cold-weather comfort. These fleece items are further distinguished by their multi-pocket detailing, a direct nod to traditional workwear aesthetics, providing both ample storage and a rugged, functional look. Designed with unisex styling in mind, the entire Engineered Garments x GU capsule offers a comprehensive selection of cold-weather essentials. The garments are meticulously crafted from a blend of durable fleece, comfortable knitwear, and advanced technical materials, ensuring both longevity and performance. This collaboration aims to bridge the gap between Daiki Suzuki's signature utilitarian vision and GU's widespread accessibility, offering thoughtfully designed, high-quality apparel at an approachable price point. Online pre-orders for this highly anticipated third collection are scheduled to commence on October 12, 2026, and will conclude on October 18, 2026. The full retail launch is slated for October 26, 2026, with items available across all GU store locations and through their online platform.

Anthony Vaccarello has officially concluded his impactful 10-year tenure as the Creative Director of the esteemed French luxury fashion house, Saint Laurent. The announcement of his departure, made on April 1, 2024, signifies the end of a significant and transformative era for the brand, which is a flagship label under the Kering Group's extensive luxury portfolio. Vaccarello assumed the creative leadership in 2016, stepping into the role previously held by Hedi Slimane. His mandate was to build upon Saint Laurent's rich heritage, known for its sophisticated, avant-garde, and distinctly Parisian design ethos, while simultaneously infusing it with a contemporary sensibility. Throughout his decade at the helm, Vaccarello was widely lauded for his ability to maintain the brand's core identity – a potent blend of rock-and-roll edge and refined elegance – while simultaneously introducing his own unmistakable aesthetic. This signature style was characterized by a powerful fusion of overt sensuality, assertive power dressing, and impeccably sharp tailoring. His collections consistently showcased sleek, body-conscious silhouettes, often rendered in luxurious materials such as silk, leather, and fine wools, exuding a bold, confident, and undeniably modern attitude that deeply resonated with a global and discerning clientele. Under his creative direction, Saint Laurent experienced substantial commercial success, with sales figures consistently demonstrating robust growth, underscoring the commercial viability of his design vision. Vaccarello's contributions are widely considered instrumental in solidifying Saint Laurent's position as a dominant and influential force within the highly competitive contemporary luxury market. The specific motivations behind his departure were not elaborated upon in the initial announcement. Saint Laurent, a brand with a storied history dating back to its founding by Yves Saint Laurent in 1961, has confirmed that a successor has not yet been appointed. The selection of a new creative director will undoubtedly be a focal point of intense interest and speculation within the global fashion industry, as this individual will bear the significant responsibility of charting the future creative direction of one of the world's most iconic and influential fashion houses. The transition period is expected to be managed with careful strategic consideration to ensure both continuity of the brand's established success and the introduction of fresh innovative perspectives. Vaccarello's departure aligns with a broader trend of significant creative director transitions occurring across major luxury conglomerates, reflecting the inherently dynamic and ever-evolving nature of the high-fashion landscape. His body of work at Saint Laurent has been consistently recognized for its coherence, impact, and commercial success, leaving an indelible and significant imprint on the brand's recent history and its global perception.

The Paris-based luxury fashion house Saint Laurent has confirmed the departure of its creative director, Anthony Vaccarello. The announcement was made by the Kering group, which owns Saint Laurent, stating that the company would "soon announce its new creative leadership." Vaccarello had been at the helm of the brand's creative direction since 2016, succeeding Hedi Slimane. During his tenure, he was credited with continuing the brand's legacy of sophisticated and edgy designs, often drawing inspiration from the house's founder, Yves Saint Laurent. His collections were characterized by sharp tailoring, luxurious materials, and a distinctly Parisian sensibility, maintaining Saint Laurent's position as a prominent player in the global fashion industry. The brand, known for its iconic Le Smoking tuxedo and rive gauche aesthetic, experienced significant commercial success and critical acclaim under Vaccarello's stewardship. His departure marks the end of an era for the storied French maison, prompting speculation about the future direction of its design philosophy and aesthetic. The Kering group, a global luxury group that also owns brands such as Gucci, Bottega Veneta, and Balenciaga, has not yet provided details regarding the timeline for the new creative director's appointment or the identity of the successor. The fashion industry is now keenly awaiting the announcement of who will take over the creative reins of Saint Laurent, a brand with a rich history and a powerful global presence. The transition is expected to bring a fresh perspective to the brand's collections, potentially influencing its ready-to-wear, haute couture, and accessory lines. Saint Laurent's influence extends beyond the runway, impacting trends in ready-to-wear, accessories, and the broader cultural landscape of fashion. The brand's consistent ability to blend heritage with modernity has been a hallmark of its enduring appeal. Vaccarello's exit follows a period of significant creative output, with his final collections likely having been presented recently. The anticipation surrounding the next creative director is high, as the choice will undoubtedly shape the brand's narrative and market positioning in the coming years. The Kering group's strategic decisions regarding its portfolio of luxury brands, including Saint Laurent, are closely watched by investors and industry analysts alike, given the significant financial implications of creative leadership changes in the high-fashion sector. The announcement of a new creative director is anticipated to be a major event within the fashion calendar, potentially coinciding with upcoming fashion weeks or major brand events.

The iconic fashion designer Karl Lagerfeld, who passed away in February 2019, is posthumously lending his distinctive design aesthetic to a new luxury residential development in Mexico City. This project marks a significant expansion of Lagerfeld's creative influence beyond haute couture and into the realm of architectural design. The development, a 38-story tower, is situated to overlook a golf course and other green spaces, promising residents a blend of urban living and natural vistas. This ambitious residential project is slated to house a total of 73 units. The completion of the tower is anticipated in early 2029, indicating a multi-year development timeline. The design is expected to embody Lagerfeld's signature style, characterized by a fusion of classic elegance and modern sophistication, elements that defined his extensive career with houses like Chanel and Fendi, as well as his eponymous brand. The collaboration signifies a unique intersection of high fashion and high-end real estate, aiming to attract a discerning clientele seeking an exclusive living experience. While Karl Lagerfeld is globally renowned for his revolutionary impact on the fashion industry, his foray into architectural design through this Mexico City project highlights a growing trend of luxury brands and iconic designers diversifying into lifestyle offerings. This venture is being managed by a development team that aims to translate Lagerfeld's visual language into a tangible living space. The specific details of the interior design and architectural features are expected to reflect Lagerfeld's meticulous attention to detail and his penchant for luxurious materials and bold statements. The project's location in Mexico City, a vibrant and growing metropolis, further positions it as a landmark development within the Latin American luxury market. The legacy of Karl Lagerfeld continues to influence various creative fields, and this residential tower serves as a testament to his enduring impact. The development is poised to become a distinctive addition to Mexico City's skyline, offering a unique residential proposition that merges the worlds of fashion, art, and architecture. The project's realization, several years after Lagerfeld's passing, underscores the lasting power of his creative vision and its applicability across different design disciplines. The anticipated completion in 2029 suggests a long-term commitment to realizing Lagerfeld's architectural aspirations with the same precision and flair he applied to his fashion collections.

Troye Sivan, the South African-born Australian singer-songwriter, has unveiled his fourth studio album, 'She's the Best,' a project he describes as his "most experimental album yet." This release marks a significant evolution in Sivan's career, signaling a deliberate exploration of vulnerability and a profound desire to craft music that feels "truly alive." The album's title itself, 'She's the Best,' hints at themes of admiration and perhaps self-discovery, suggesting an intimate and personal narrative. In an exclusive interview with Vogue, Sivan delved into the creative genesis of 'She's the Best,' emphasizing the album's deeply personal themes and his conscious decision to push artistic boundaries. He articulated a strong intent to infuse the record with a palpable sense of raw emotion and unvarnished authenticity. This ambition translates into a sonic palette that aims to capture the immediacy and vibrancy of being present, a departure from the more polished sounds of his previous works, such as 'Blue Neighbourhood' (2015), 'Bloom' (2018), and 'Something to Give Each Other' (2023). This experimental approach signifies a new and exciting chapter in Sivan's evolving musical identity, showcasing his willingness to take creative risks. The visual component of 'She's the Best' is as integral to its narrative as the music itself. Sivan specifically highlighted the sultry music video for his track 'FF,' a song whose title itself might allude to a sense of urgency or intimate communication. He discussed the deliberate visual references and aesthetic choices made to perfectly complement the song's mood and lyrical content. The 'FF' video is presented not merely as a promotional tool but as a direct extension of the album's overarching themes, offering a potent visual representation of the emotional landscape Sivan navigates within the music. This holistic approach, seamlessly integrating music and visual art, underscores Sivan's commitment to a comprehensive artistic vision, a trait that has defined his career since his early YouTube days. 'She's the Best' arrives after a period of considerable anticipation from his dedicated fanbase, who have been closely following Sivan's artistic journey and his engagement across various social media platforms. The album's release is poised to be a notable event within the contemporary pop music landscape, serving as a testament to Sivan's artistic maturation and his unwavering dedication to exploring new sonic and thematic territories. His commitment to creating an album that resonates on both a deeply personal level and with a universal audience speaks volumes about his artistic growth and his enduring impact on the global music scene.

eYe JUNYA WATANABE MAN, under the creative direction of Junya Watanabe, is set to release its concluding collaboration with the iconic streetwear brand STÜSSY for the Fall/Winter 2026 season on Friday, October 16, 2026. This final joint offering is a meticulously crafted coverall-style jacket, constructed from a durable navy heavy cotton oxford cloth, embodying the rugged aesthetic and functional design principles of traditional workwear. The jacket features a prominent, vibrant orange embroidered STÜSSY logo on the chest, accompanied by a graphic that reads "TOKYO LOSANGELES 2026," signifying the global reach and collaborative spirit of the project. Further details that underscore the garment's workwear inspiration include a contrasting corduroy collar and a striped blanket lining, providing both visual interest and warmth. The collaboration is further distinguished by a double-branded tag, integrating the identities of both eYe JUNYA WATANABE MAN and STÜSSY. The jacket also incorporates original gold donut buttons and rivets, hallmarks of eYe JUNYA WATANABE MAN's commitment to detailed craftsmanship and quality hardware. This piece represents the culmination of the partnership between Watanabe's avant-garde approach to fashion and STÜSSY's foundational influence on streetwear culture. The jacket will be exclusively available for purchase at the COMME des GARÇONS Aoyama and COMME des GARÇONS Osaka flagship stores. Access to purchase the jacket will be managed through an advance lottery system, designed to ensure a fair distribution of the limited-edition item. The application period for this lottery commenced prior to the release date, with a deadline set for Monday, October 12, 2026, at 11:59 p.m. The retail price for the eYe JUNYA WATANABE MAN x STÜSSY Fall/Winter 2026 collaboration jacket is ¥132,000 (tax included). It will be offered in a range of sizes, including S, M, L, and XL. For those seeking further information or wishing to participate in the lottery, the COMME des GARÇONS Aoyama store can be reached at 03-3406-3951, and the COMME des GARÇONS Osaka store can be contacted at 06-4963-6150. The release date of Friday, October 16, 2026, marks the final opportunity for consumers to acquire a piece from this significant collaboration between two influential names in fashion and streetwear.

Nike has officially announced a significant collaboration, bringing together two influential figures from distinct yet interconnected creative realms: Japanese fashion designer Nigo and Jung Ho-seok, globally recognized as J-hope of the South Korean K-pop phenomenon BTS. This partnership centers on a new iteration of the iconic Nike Air Force 1 sneaker, a silhouette that has transcended its athletic origins to become a cornerstone of global streetwear and fashion culture. The collaboration is a testament to Nike's ongoing strategy of leveraging high-profile alliances with cultural tastemakers to generate excitement and maintain the relevance of its flagship products. Nigo, a foundational figure in Japanese streetwear, is celebrated for establishing the influential brand BAPE (A Bathing Ape) in 1993 and later launching his contemporary label Human Made. His distinct aesthetic, characterized by bold graphics, playful motifs, and a deep understanding of vintage Americana and Japanese street style, has profoundly shaped contemporary fashion. J-hope, a principal dancer and rapper for BTS, has emerged as a global music icon and a significant style influencer in his own right. His dynamic stage presence and personal fashion choices have garnered widespread attention, positioning him as a key figure in the intersection of music, dance, and fashion. The Nike x Nigo x J-hope Air Force 1 collaboration signifies a powerful fusion of Nigo's pioneering streetwear vision with J-hope's immense global reach and artistic expression. While specific design details are yet to be fully disclosed, the involvement of Nigo strongly suggests a design that will honor the heritage of streetwear, potentially drawing inspiration from his extensive archive of work with BAPE and Human Made. J-hope's contribution is expected to infuse the classic Nike silhouette with his unique personal style and artistic sensibility, reflecting his vibrant personality and innovative approach to performance and fashion. This partnership underscores Nike's long-standing practice of collaborating with artists, designers, and musicians to enhance the cultural cachet and desirability of its footwear. The Air Force 1, originally launched in 1982 as a performance basketball shoe, has evolved into a ubiquitous symbol of urban culture and a canvas for countless creative interpretations. Collaborations like this are crucial for Nike in introducing the Air Force 1 to new demographics and reinforcing its status as a cultural phenomenon. The union of Nigo, a revered pioneer of Japanese streetwear, and J-hope, a globally celebrated artist, represents a significant cultural moment, bridging distinct creative industries and connecting diverse fan bases. The anticipation surrounding this release is expected to generate substantial buzz within both the fashion and music communities, highlighting the potent impact of cross-industry collaborations in contemporary culture and the enduring appeal of the Air Force 1.