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Variety••2 min read

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Doce Entertainment Boards Matías Rojas' 'Dog Legs' Film

Doce Entertainment Boards Matías Rojas' 'Dog Legs' Film

David Matamoros, co-producer of the film 'The Platform' and head of Doce Entertainment Spain, has joined the production of Matías Rojas' film adaptation of the Chilean cult novel "Dog Legs" (original title "Patas de perro"). This deal was finalized during the San Sebastian Festival, marking a significant step for the project as it enters its final financing phase. Matamoros' involvement brings Doce Entertainment Spain into a diverse international producing team that already includes producers from Chile, France, Germany, and Colombia. The novel "Dog Legs" is a celebrated work within Chilean literature, known for its cult status, and its adaptation into a film is anticipated to bring its unique narrative to a wider audience. The San Sebastian Festival, a prestigious international film event, serves as a key marketplace for film financing and co-production deals, making it an opportune venue for such an agreement.

Doce Entertainment, founded by David Matamoros, has a notable track record in film production, with 'The Platform' (original title 'El Hoyo') being one of its most recognized international successes. 'The Platform,' a Spanish science fiction horror film, garnered critical acclaim and significant viewership on its streaming release, showcasing Doce Entertainment's capacity to deliver compelling and globally resonant content. Matamoros' decision to board 'Dog Legs' suggests a belief in the artistic and commercial potential of Rojas' vision and the source material. The collaboration with international partners underscores the global ambition for the film, aiming to leverage diverse creative and financial resources.

Matías Rojas, the director and screenwriter for the adaptation, is set to translate the complex themes and narrative of "Dog Legs" to the screen. The novel itself is known for its distinctive literary style and thematic depth, which will present both opportunities and challenges for its cinematic interpretation. The inclusion of multiple international producers indicates a strategic approach to financing and distribution, aiming to secure a robust budget and a broad release strategy. The project's progression through the final financing stages implies that key creative and logistical elements are being solidified, paving the way for principal photography and subsequent post-production. The San Sebastian Festival's role in facilitating these international co-productions is crucial for independent filmmakers and production companies seeking to bring ambitious projects to fruition in a competitive global market.

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