Hikari no Yami Explores Identity in SS27 Collection

Hikari no Yami has unveiled its Spring/Summer 2027 collection, titled "Chapter 11: Parasite," which represents a significant development for the brand after ten seasons focused on deconstructing tailoring and philosophical concepts. This collection positions itself between the philosophical ideas of absurdism and essentialism, directly engaging with the "Ship of Theseus" paradox. This paradox, a thought experiment, questions whether an object that has had all of its original components replaced remains fundamentally the same object. Hikari no Yami applies this concept to fashion, exploring whether identity is a fixed attribute or something that is continuously reconstructed over time.

To visually and conceptually embody this exploration, the brand has meticulously dismantled and then reconstructed a variety of reused fabrics. These materials include recycled cotton, wool, and Japanese nylon mesh. The reconstruction process involves intricate hand-stitching, painting, dyeing, spraying, and resin encapsulation techniques. These methods are employed not only to create new forms but also to expose the internal architecture of the garments, making the construction process itself a visible element of the design. This approach aims to highlight the mutable nature of garments, suggesting they are never fixed but are in a constant state of evolution.

The "Chapter 11: Parasite" collection is further enriched by several key collaborations. Alpha Industries, a brand known for its military utility wear, has contributed silhouettes that have been reassembled to express individuality. Designer Ciera Calmeise has provided unique pieces such as molded spines and resin tops, adding a sculptural dimension to the collection. Artist Vanessa Vun has hand-painted ink-dyed dress shirts, infusing them with artistic detail. Additionally, Alex Yarally has contributed Japanese nylon mesh tops, Supima shirting dusters, and silk chiffon hoodies, further diversifying the material and textural elements of the collection.

The accompanying campaign, photographed by Roman Pushkarskii, visually reinforces the collection's raw, sculptural aesthetics. The campaign imagery is set against stark outdoor environments, providing a contrasting backdrop that emphasizes the intricate and often unconventional forms of the garments. The overall presentation aims to underscore Hikari no Yami’s core philosophy that clothing is a dynamic entity, capable of change and adaptation, mirroring the complexities of personal identity.