Philip Hensher's 'A History of the Novel in Britain' Hailed as a Masterpiece of Literary Criticism

Philip Hensher's monumental work, "A History of the Novel in Britain," has been met with widespread critical acclaim, described as a "masterpiece of criticism" and a "joyous book" that offers a literary adventure spanning two centuries of British fiction. The 600-page volume, which commences its narrative journey in 1719 with Daniel Defoe's seminal work "Robinson Crusoe," and extends its gaze to contemporary literary figures such as Zadie Smith, is lauded not only for its comprehensive scope but also for its deeply engaging and pleasurable reading experience. Unlike many academic surveys that can feel like "seminar room" exercises, Hensher's approach is characterized by its vitality and accessibility, transforming the study of literary history into an "excuse to revisit old literary loves and be reminded of ones that have slipped from view."

Hensher's success is attributed to his deliberate departure from the conventional academic methodology. Instead of assembling a collection of specialized chapters by different scholars, each focusing on a particular author or literary movement like "Thomas Hardy" or "High Modernism," Hensher provides a "joined-up account of creative call and response." This integrated approach allows for a more cohesive understanding of how literary traditions have evolved and influenced one another over time. Crucially, Hensher's own extensive experience as a novelist imbues the book with a unique and invaluable perspective. He brings a "practitioner's informed eye" to the analysis of literary techniques, delving into the intricacies of narrative construction. Examples cited include his examination of why Charles Dickens, a titan of Victorian literature, chose to employ the present tense in specific chapters of his novel "Dombey and Son," and how Henry James, a key figure in the transition to modernism, masterfully utilizes free indirect speech in "What Maisie Knew" to provide readers with intimate access to a character's thoughts and feelings.

This practitioner's insight allows Hensher to explore not just the "what" of literary history but the "how" of novelistic creation, offering a deeper appreciation for the craft involved. The review emphasizes that the book is more than just an academic treatise; it is a "wonderful read" that fosters a genuine connection with the material. By weaving a continuous historical and intellectual thread throughout the narrative, Hensher demonstrates the interconnectedness of literary development, moving beyond the "silos" that often fragment scholarly discourse. The sheer scope of the work, covering two hundred years of British literary output, is a testament to Hensher's dedication and expertise, positioning "A History of the Novel in Britain" as a significant and enjoyable contribution to literary scholarship.