‘The Death of Robin Hood’ Review: Hugh Jackman and Michael Sarnoski Make a Grizzled, Anguished Antihero of the Valiant Outlaw

Michael Sarnoski's film "The Death of Robin Hood" reimagines the legendary outlaw as a grizzled, anguished antihero, moving away from the traditional "merry men" narrative. The film, starring Hugh Jackman, delves into myth-busting and moral reckoning before fulfilling its elegiac promise. Sarnoski, who previously directed "Pig," shifts from his intimate character studies to a larger-scale exploration of a familiar myth. The movie's tone is described as somber and reflective, focusing on the internal struggles of its protagonist rather than grand adventures. This approach marks a departure from typical heroic portrayals, aiming for a more complex and grounded depiction of the Robin Hood archetype. The film's narrative arc is built around a process of deconstruction and re-evaluation of the Robin Hood legend, presenting a darker, more introspective version of the character.