50 Years of Punk review – rock’n’roll rebels fondly recall the filth and fury a half-century on

The documentary "50 Years of Punk" offers a nostalgic look back at the British punk movement, commemorating its half-century anniversary by revisiting its distinctive music, provocative fashion, and enduring cultural impact. The film brings together key figures from the era, many of whom are now in their seventh decade, to reflect on their experiences within a subculture that rapidly evolved from a sensationalized threat to a celebrated historical movement. Among the featured artists are Glen Matlock, a founding member of the iconic Sex Pistols, known for their anarchic energy and controversial anthems like "God Save the Queen"; Viv Albertine, a guitarist for the pioneering all-female punk band The Slits, who challenged gender norms in the music scene; and Rat Scabies, the drummer for The Damned, one of the first punk bands to release a single and an album. These artists, along with others, share their memories of a time characterized by raw energy and a deliberate rejection of mainstream conventions.

The documentary delves into the visual and behavioral elements that defined punk in the late 1970s, including audacious fashion choices like T-shirts emblazoned with controversial imagery, such as women's breasts, and the often amateurish application of makeup. The pervasive act of spitting, a visceral expression of rebellion and disdain, is also recalled, with Captain Sensible of The Damned offering a characteristically blunt anecdote about his indifference to it. This exploration highlights the shock value and confrontational nature that punk embraced.

"50 Years of Punk" presents a broad spectrum of voices from the punk landscape. Prominent musicians from many of the era's seminal bands contribute their perspectives. Leading the lineup are Glen Matlock, Rat Scabies, Terry Chimes, the former drummer for The Clash, a band known for their politically charged lyrics and energetic performances; Steve Severin, a co-founder of Siouxsie and the Banshees, a band influential in both punk and post-punk; and Hugh Cornwell, the frontman for The Stranglers, a band that initially aligned with punk but later developed a more diverse sound. Hugh Cornwell, in particular, offers a more measured and critical assessment of punk's ultimate achievements, providing a valuable counterpoint to the prevailing enthusiasm and reminding viewers that not all participants viewed the movement with unadulterated reverence.

The film also acknowledges the historical underrepresentation of women in the early punk scene, despite its perceived progressive stance on equality. While Gaye Advert of The Adverts, known for her striking visual presence, and Viv Albertine are given screen time, their contributions are noted as being somewhat overshadowed within the broader narrative. Crucially, the documentary pays significant tribute to Vivienne Westwood, the visionary fashion designer who, alongside Malcolm McLaren, is recognized as the true architect of punk's aesthetic and ethos. Their boutique, Sex, located on London's King's Road, served as a vital hub for the burgeoning subculture, shaping its visual identity and rebellious spirit.