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The Guardian Culture4 min read

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Yeehaw! Bring on the tap-dancing cowgirls! How the Edinburgh Military Tattoo suddenly got cool

Yeehaw! Bring on the tap-dancing cowgirls! How the Edinburgh Military Tattoo suddenly got cool

The Royal Edinburgh Military Tattoo, a long-standing fixture against the dramatic backdrop of Edinburgh Castle, is undergoing a notable artistic transformation, venturing into the realm of experimental theatre. This year's iteration of the event, typically characterized by its marching bands, billowing flags, and precise drills, is now incorporating avant-garde elements. A striking visual opener involves a laser beam meticulously tracing a path across the castle's ramparts and ascending into the night sky. This is complemented by the resonant voice of actor Richard Rankin, who narrates a poignant narrative focusing on the solitude and duty of soldiers answering a call to arms. The dramatic crescendo sees a formidable assembly of drummers and pipers emerge from the gatehouse, their powerful performance of the stirring lament, "The Skye Boat Song," filling the esplanade with a sound that is both melodic and deeply awe-inspiring.

While often perceived as being overshadowed by the broader, more eclectic Edinburgh Festival Fringe, the Royal Edinburgh Military Tattoo commands a significant level of popularity and exerts a considerable economic influence. In the preceding year, the event successfully drew an impressive audience of 230,000 spectators, a testament to its enduring appeal. Furthermore, it generated a substantial £1.5 million for various charitable causes, underscoring its philanthropic contribution. Historically, the Tattoo has operated as an expansive variety show, presenting a formidable spectacle that encompasses a diverse range of attractions. These typically include dazzling fireworks displays, intricate light projections that transform the castle's facade, dynamic flag performances that engage the audience, and a broad musical repertoire. This sonic landscape has historically spanned from operatic pieces like Bizet's "Carmen" to iconic film scores such as John Williams' "Star Wars" theme.

The deliberate integration of experimental theatre signifies a clear departure from the Tattoo's established identity. The event, long associated with its traditional military pageantry, has been perceived as a more conservative spectacle. However, the strategic decision to enlist an experimental theatre-maker signals a concerted effort to infuse the performance with a fresh wave of artistic innovation and contemporary relevance. This progressive approach is intended to resonate with a broader demographic, thereby repositioning the Tattoo as a more dynamic and engaging cultural experience. The aim is to move beyond its historical roots and embrace a more cutting-edge artistic direction, potentially attracting a new generation of attendees and solidifying its place as a relevant and exciting cultural event.

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