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The Guardian Culture1 min read

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True-Crime Series Exposes Ex-Partner's Deception

True-Crime Series Exposes Ex-Partner's Deception

The three-part true-crime series "Don't Date Brandon," airing on Channel 4, chronicles the story of Amber Rasmussen and Athena Klingerman, two women who discovered they were deceived by the same ex-partner, Brandon Johnson. Rasmussen initially met Johnson on Tinder and became engaged, believing him to be "the full package." However, her perception was complicated by Johnson's narrative that his "crazy ex," Klingerman, was making unreasonable demands. The series reveals that Johnson himself was the source of the deception, orchestrating a pattern of lies that affected both women. Following their realization of Johnson's deceit, Rasmussen and Klingerman collaborated to create a podcast dedicated to exposing his manipulative behavior and the extent of his falsehoods. This collaboration highlights a common theme in true-crime narratives where victims unite to reclaim their stories and warn others. The series "Don't Date Brandon" is presented as a "shocker," implying a significant and impactful revelation of Johnson's actions. In parallel, "Who Do You Think You Are?" features Harriet Walter exploring her Italian family heritage, offering a contrasting narrative of personal discovery and historical exploration. The inclusion of Walter's segment provides a broader television viewing guide for the evening, positioning "Don't Date Brandon" as a particularly compelling and potentially disturbing true-crime offering. The narrative structure of "Don't Date Brandon" likely follows the women's individual experiences with Johnson before their eventual convergence and joint effort to publicize his deceit through their podcast. This approach allows for a comprehensive examination of Johnson's alleged manipulation from multiple perspectives. The series aims to not only recount the events but also to serve as a cautionary tale about recognizing and confronting deceptive relationships. The podcast created by Rasmussen and Klingerman represents a form of victim empowerment, transforming personal trauma into a public platform for awareness and accountability. The series' broadcast on Channel 4 places it within the context of popular factual programming, suggesting an appeal to audiences interested in real-life stories of intrigue and resolution. The narrative arc of "Don't Date Brandon" is expected to detail the progression of Johnson's deception, the women's dawning realization, and their subsequent actions to bring his alleged misconduct to light.

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