World's Oldest Photography Exhibition, Royal Photographic Society's 167th IPE, Returns to London's Saatchi Gallery

The Royal Photographic Society (RPS), a venerable institution established in 1853, is bringing its esteemed International Photography Exhibition (IPE) back to London's Saatchi Gallery for its 167th iteration. This exhibition, which holds the distinction of being the oldest of its kind globally, traces its origins back to 1854, making it a continuous chronicle of photographic evolution and its societal impact. The 167th IPE will be accessible to the public from August 7 to September 11, showcasing a carefully curated selection of 48 works by photographers hailing from diverse international backgrounds. The RPS itself, a charity dedicated to advancing the art and science of photography, has consistently used the IPE as a barometer of the times, and this year's submissions are no exception, according to a recent statement from the Society. The exhibition delves into a rich tapestry of contemporary themes, including pressing issues of environmentalism, the complexities of culture and identity, the impact of conflict, the enduring nature of memory, and the fundamental bonds of family and community. A notable aspect of this year's collection is the prevalence of artists employing alternative production processes, signaling a vibrant exploration of innovative techniques within the photographic medium.

This year's highest accolade, the top prize, has been awarded to Dallas-based photographer Marcy Palmer for her compelling series, 'Seeds of Strength and Resilience.' Palmer's work critically engages with the historical, current, and future dimensions of reproductive rights, offering a profound and timely commentary on a significant societal debate. Complementing this, the Under 30s Award recognizes the burgeoning talent of Léa Chen, a London-based photographer with Taiwanese heritage. Chen's series, 'The Stars That Don’t Look Back,' presents an intimate and poignant exploration of shared memories and intergenerational connections among three generations of women in Taiwan, highlighting the power of familial narratives.

The exhibition also promises to feature other significant contributions. Attilio Fiumarella's 'Brummies' offers a structured, grid-based examination of bathhouses, while Alex Huda's 'Voidpunk' delves into the unique cultural landscape of Hong Kong. Zed Nelson will contribute a series that celebrates verdant architectural splendor, adding another dimension to the exhibition's diverse thematic scope. The enduring legacy of the IPE lies in its consistent ability to foster dialogue, understanding, and connection through the universal language of visual storytelling, bridging diverse audiences with compelling narratives from across the globe.