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The Guardian Culture3 min read

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Roleplay Review: Fleabag Producer's New Show Explores "Slutfluencer" Life

Roleplay Review: Fleabag Producer's New Show Explores "Slutfluencer" Life

The solo show "Roleplay," produced by Francesca Moody, a notable figure behind "Baby Reindeer" and "Fleabag," has generated significant buzz at Summerhall in Edinburgh. The production features Australian writer-performer Hannah Reilly in a knotty solo performance that delves into the complexities of sexual empowerment and its potential commodification. The show's racy poster and an erotic dance introduction initially suggest a focus on titillation, aligning with the marketing of its central character, Danielle, also known as Danni.

Danni hosts a podcast with the tagline "hey slut," and her content is approached by a producer who offers her significant opportunities in exchange for sexualizing her material. This leads Danni to become a "slutfluencer," a persona that occupies a space between sex-positive feminism and platforms like OnlyFans. The show critically examines this evolution, questioning whether true sexual empowerment can be sustained when it becomes a marketable product. Reilly's performance as Danni is described as bold and deft, navigating the nuanced themes of the narrative.

Francesca Moody's track record with critically acclaimed shows like "Baby Reindeer" (2019) and "Fleabag" (2013) has contributed to the high anticipation for "Roleplay." Both of these previous productions also premiered at the Edinburgh Festival Fringe, establishing Moody's reputation for identifying and nurturing compelling new theatrical voices and narratives. "Baby Reindeer," written and performed by Richard Gadd, explored themes of trauma and obsession, while Phoebe Waller-Bridge's "Fleabag" became a cultural phenomenon for its sharp wit and exploration of female experience.

"Roleplay" appears to follow in this tradition of challenging and thought-provoking theatre. The production's success in fulfilling its initial promise, despite its potentially provocative marketing, suggests a depth that resonates with audiences. The show's exploration of the "slutfluencer" phenomenon taps into contemporary discussions surrounding online identity, sexuality, and the pressures of digital monetization, posing questions about authenticity and agency in the influencer economy. The queues around the corner at Summerhall indicate a strong public interest in these themes and Reilly's portrayal of Danni's journey.

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