Pinocchio: Unstrung Review - Public Domain Slasher

The "Twisted Childhood Universe" franchise, known for its low-budget British slasher films that reimagine children's characters as killers, has released its latest installment, "Pinocchio: Unstrung." Directed by Rhys Frake-Waterfield, who also helmed the "Winnie the Pooh: Blood and Honey" films, this movie follows the trend of turning public domain characters into violent antagonists. The film features Pinocchio, brought to life by inventor Geppetto (Richard Brake) for his grieving grandson James (Cameron Bell), as a malevolent entity. Initially intended as a companion to James, Pinocchio becomes a killer after James expresses a wish for his bullies to die. The film reportedly employs dark humor and graphic scenarios, including a scene involving an overweight child with an inhaler, which has drawn criticism for its unpleasant tone. The narrative centers on Pinocchio's violent actions after being left in James's school bag, deviating from Geppetto's instructions. The character of Pinocchio is described as a creepy doll with a sinister appearance, reminiscent of Chucky from the "Child's Play" series. The film also includes juvenile gags, such as Pinocchio learning about human anatomy from an encyclopedia. "Pinocchio: Unstrung" is part of a growing trend of horror films utilizing public domain characters, following the commercial success of the "Winnie the Pooh" slasher movies.