Home/News/Petrol bombs, drugs and Bradley from S Club 7: inside the wild 00s hood movie that the police seized
The Guardian Culture4 min read

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Petrol bombs, drugs and Bradley from S Club 7: inside the wild 00s hood movie that the police seized

Petrol bombs, drugs and Bradley from S Club 7: inside the wild 00s hood movie that the police seized

The 2005 British film "Breakin’ the Cycle" is a cautionary tale whose production history is far more captivating than the film itself, which was never fully realized due to extraordinary circumstances. The rough cut was confiscated by the Metropolitan Police, and the raw footage is considered lost, leaving the film's artistic merit largely undocumented. The project originated from an ambitious, albeit deeply flawed, premise: two notorious drug dealers from Hackney, London, aimed to transition into legitimate movie production. This endeavor was a complex tapestry woven with elements of comedic chaos, accidental violence, the pervasive influence of drug money, and the stark realities of shootouts, all set against a backdrop of grand aspirations for a different life through art, ultimately culminating in tragedy.

The filmmakers found themselves navigating the treacherous terrain of real-life gang warfare while simultaneously attempting to break into what they perceived as an elitist and potentially racist film industry. The film's cast included notable figures from the British entertainment scene, such as the influential rapper Lethal Bizzle, known for his energetic grime tracks, and Bradley McIntosh, a member of the hugely popular pop group S Club 7. McIntosh's participation may have signaled an attempt to shed his earlier, family-friendly pop persona, but for others involved, the stakes were immeasurably higher.

Central to the film's creation was Colin Browne, identified as the leader of the Hackney-based gang "Love of Money." Browne penned the screenplay while serving a prison sentence for cocaine smuggling, a crime that underscored the illicit origins of the project. He also took on the role of director, harboring significant ambitions for "Breakin’ the Cycle," including a desire to premiere it at the prestigious Cannes Film Festival. Tragically, Browne was killed shortly after filming had concluded, a grim testament to the dangerous environment in which the movie was made. The production was intrinsically linked to criminal activities, with reports suggesting that drug money financed the project. The volatile atmosphere is further emphasized by the fact that the film's creators were actively involved in running a drug gang during the filming process. This direct entanglement with organized crime led to the intervention of law enforcement. The Metropolitan Police's seizure of the film's rough cut and the subsequent loss of footage effectively prevented "Breakin’ the Cycle" from ever reaching a wider audience, leaving its narrative and artistic intentions largely a mystery. The circumstances surrounding its creation and demise powerfully illustrate the stark intersection of artistic ambition and criminal enterprise in early 2000s Britain.

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