Paul, John... and Yvonne? The French novelist asking: what if a woman had written the Beatles’ greatest hits?

French novelist Michel Bussi has unveiled a provocative alternate history in his latest book, 'Code Yesterday,' proposing that every song attributed to the legendary British band The Beatles was, in fact, composed by a single woman of French descent. Bussi, a celebrated author renowned for his intricate thriller plots, asserts that this premise is not as far-fetched as it might initially appear, articulating his motivation as a desire "to give women revenge." The novel's release in France at the beginning of September 2026 introduces this speculative concept into the cultural conversation, potentially influencing how the band's enduring legacy is perceived.

Bussi's work utilizes this fictional scenario to delve into complex themes of authorship, historical narrative, and the often-overlooked contributions of women in creative fields. While 'Code Yesterday' is a work of fiction, Bussi's stated aim to "give women revenge" suggests a deeper commentary on the historical underrepresentation of women, particularly within the annals of music history. The Beatles, comprising John Lennon, Paul McCartney, George Harrison, and Ringo Starr, are universally acknowledged as one of the most influential musical ensembles in history. Their songwriting partnership, primarily between Lennon and McCartney, is particularly lauded, forming the bedrock of their immense success. The notion that a single, hitherto unknown female figure could be responsible for their entire prolific catalog fundamentally challenges established musicological and historical accounts of their creative process and output.

The publication of 'Code Yesterday' arrives at a time of notably positive diplomatic and cultural exchange between France and England. This renewed 'entente cordiale' has been symbolized by significant gestures, such as the recent loan of the historic Bayeux Tapestry, an event marked by cordial interactions between French President Emmanuel Macron and British Prime Minister Andy Burnham. However, Bussi's novel introduces a fictional element that could, albeit playfully, add a layer of complexity to this revitalized bilateral relationship. The book invites readers to engage in a thought experiment, prompting a fictional re-evaluation of who truly holds credit and recognition for some of the most celebrated songs in popular music. Bussi's narrative encourages a speculative exploration of how history might have unfolded differently, particularly concerning gender roles and the recognition afforded to women within the arts and popular culture.