Momo and the Time Thieves Film Review Critiques Capitalism

The film "Momo and the Time Thieves," a new adaptation of Michael Ende's 1973 fantasy novel, presents a critique of contemporary society's relationship with time and capitalism. Ende, also known for "The Neverending Story," originally published "Momo" in 1973, and this latest iteration follows previous adaptations in 1986 and 2001. While ostensibly live-action, the film heavily employs visual effects, blurring the lines with animation. The presence of a human cast, however, is deemed essential to convey the story's core message about the perils of allowing capitalist pressures to erode the ability to appreciate the present.

The narrative of "Momo" centers on a world infiltrated by enigmatic "grey beings." These entities persuade individuals to "bank" their time, a metaphorical process that allows the grey beings to accumulate it for themselves. The story posits that only Momo, an orphan girl portrayed by teen actor Alexa Goodall, possesses the unique ability to counteract this temporal theft and save humanity. Goodall's portrayal of Momo, distinguished by her vibrant ginger curls, is highlighted as a significant element of the film's characterization. The novel's enduring appeal has led to various metaphorical interpretations over the years, with the plot often seen as a commentary on societal values and the commodification of time.

This adaptation aims to resonate with contemporary audiences by addressing themes relevant to the "digitally nihilistic age." The film's review suggests that while the story contains "neat parables" for modern times, the pacing and execution may fall short of its potential. The critique implies that even with fantastical elements, such as a "mystical tortoise" which is a character in Ende's original work, the film struggles to overcome a sense of monotony. The review contrasts the film's reliance on visual effects with the necessity of human performance to underscore the story's thematic concerns regarding the erosion of personal time and enjoyment due to economic pressures. The underlying message critiques a system where efficiency and productivity are prioritized over lived experience and the simple act of being present.