Jonathan Majors Stars in Far-Right Propaganda Film 'Infidels'

Jonathan Majors, a disgraced former Marvel actor, stars in the new action thriller 'Run Hide Fight: Infidels,' produced by Ben Shapiro's conservative media company, The Daily Wire. The film, described as a "hateful campus-set thriller," reportedly makes its far-right political agenda clear from its opening moments. The narrative positions Majors as a hypermasculine Delta Force veteran, akin to a modern Denzel Washington, who is drawn back into action when his "war on terror" follows him onto American soil. The plot involves his character, Captain Saunders, pursuing a villain identified as a Khalid Sheikh Mohammed analogue who is responsible for the death of his partner. This pursuit occurs amidst a backdrop of American debate regarding the justice or execution of the criminal mastermind. The film's dialogue explicitly contrasts perceived American values with those of the antagonist, who references "climate change and your abortions" before being silenced by a gunshot. Captain Saunders then declares, "Actually, *that's* the American way," implying a violent, extrajudicial approach as the true national ethos. Critics have labeled the film "laughably terrible" and characterized it as "far-right propaganda." The Daily Wire, founded by Ben Shapiro, is known for producing content that aligns with conservative viewpoints, often engaging in culture war topics. 'Run Hide Fight: Infidels' appears to be an extension of this strategy, utilizing a prominent actor to deliver a politically charged message. The film's premise and execution have drawn significant criticism for its perceived Islamophobia and its simplistic, jingoistic portrayal of geopolitical conflict. The narrative structure, as described, relies on a stark dichotomy between a heroic, American "way" represented by Saunders and a villainous "other" whose ideology is presented as antithetical to American values. The film's release and content are situated within a broader cultural and political landscape where media is increasingly used as a vehicle for ideological messaging. The decision to cast Majors, who has faced legal challenges, in a lead role also adds a layer of controversy to the film's reception. The film's title itself, 'Infidels,' directly references a term often used in religious and political contexts to denote those outside a particular faith, suggesting a clear ideological framing. The critique highlights the film's reliance on what are perceived as tired tropes of the "war on terror" genre, recontextualized through a specific far-right political lens. The narrative's resolution, where the protagonist takes matters into his own hands and summarily executes the antagonist, serves as a visual and thematic endorsement of vigilantism and a rejection of due process, aligning with the film's purported propaganda aims. The film's dialogue, particularly the antagonist's mention of "climate change and abortions," attempts to link progressive policies with perceived threats to American values, a common tactic in conservative political discourse. The subsequent violent response by the protagonist is presented as the "American way," a direct counter-argument to the antagonist's critique and a reinforcement of the film's ideological stance.