Murray Edwards College Houses Premier Women's Art Collection

Murray Edwards College in Cambridge is home to the Women's Art Collection, a significant assembly of modern and contemporary works exclusively by female artists. This collection, described as one of Cambridge's best-kept secrets, is freely accessible to the public throughout the year, offering an alternative to potentially expensive museum exhibitions or intimidating commercial galleries. The college's grounds also encourage visitors to relax, with director Harriet Loffler noting that visitors are welcome to enjoy the lawn.

The collection boasts pieces by internationally recognized artists, including Maggi Hambling, Paula Rego, and Bridget Riley, whose works represent some of the most influential female voices in the art industry over the past 40 years. During a recent visit, early observations noted Tracey Emin lithographs, a screen print by the Guerrilla Girls, and a canvas by Rose Wylie. The college's corridors and rooms further display art by artists such as Leonora Carrington, Faith Ringgold, and Barbara Walker. The director highlighted the surprising lack of other visitors during her tour, underscoring the collection's under-recognized status.

Murray Edwards College, formerly known as New Hall, established its art collection with a commitment to showcasing and supporting women in the arts. The collection's inception dates back to the college's founding in 1954, with a deliberate focus on acquiring works by female artists to address the historical underrepresentation of women in art institutions and exhibitions. This proactive approach has resulted in a comprehensive survey of female artistic achievement across various mediums, from painting and sculpture to printmaking and mixed media.

The Women's Art Collection at Murray Edwards College serves not only as a repository of significant artworks but also as an educational resource. It provides students, researchers, and the general public with an opportunity to engage with a diverse range of artistic styles, themes, and perspectives. The collection's ongoing development ensures its relevance and continued contribution to the discourse on art history and contemporary artistic practices, making it a valuable cultural asset within Cambridge and beyond. Its free admission policy further democratizes access to high-caliber art, inviting a broader audience to experience the richness of women's contributions to the art world.