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The Guardian Culture3 min read

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Holy Days Review: Even a Stellar Cast Can't Salvage This Underwhelming Comedy-Drama

Holy Days Review: Even a Stellar Cast Can't Salvage This Underwhelming Comedy-Drama

The film 'Holy Days' presents a narrative centered on three elderly nuns and a young man on a mission to save their convent, a premise that, despite its earnest intentions, is ultimately undermined by a "threadbare storyline" and underdeveloped comedic elements. The film features a cast of highly respected actresses, including Judy Davis as Sister Agnes, Miriam Margolyes as Sister Luke, and Jacki Weaver as Sister Mary Clare. These are established figures in the entertainment industry; Davis is an acclaimed Australian actress known for her work in films like 'A Passage to India' and television series such as 'The Jewel in the Crown.' Margolyes, a British-Australian actress, is widely recognized for her vibrant personality and roles in 'Harry Potter' and 'Call the Midwife.' Weaver, another Australian talent, has garnered international acclaim for her performances in films like 'Animal Kingdom' and 'Silver Linings Playbook.' However, despite this formidable talent, the review suggests that none of the actresses are performing at their peak, a common pitfall in films where the script fails to provide adequate material.

The central conflict revolves around the nuns' efforts to preserve their dilapidated convent, a location described as "drab" and "emotionally lukewarm." The film attempts to weave together comedy and drama, a genre blend that often requires a delicate balance. In 'Holy Days,' this balance is not achieved, resulting in a film that is "not funny enough to solicit any real laughs, nor sufficiently dramatic to forge strong connections with the characters." The young character, Brian, portrayed by Elijah Tamati, is intended to be the "emotional glue" of the story, but the narrative fails to establish a compelling connection between him and the habit-wearing trio, who are meant to be "hot-blooded eccentrics." The convent itself, a potentially rich setting for exploring themes of faith, community, and decay, is rendered "borderline soulless," lacking the cinematic appeal or character-driven life that could have made its plight more engaging. The reviewer even finds themselves contemplating the practical, developer-driven perspective of replacing the "crusty old place" with modern amenities, a sentiment that underscores the film's failure to imbue its setting with emotional resonance. Ultimately, 'Holy Days' is characterized as a film that squanders its potential due to fundamental flaws in its storytelling and execution, leaving the audience with a sense of disappointment rather than genuine engagement.

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