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Shaun the Sheep Stars in New Aardman Horror Film

Aardman Animations is currently in production on a new short film titled 'Shaun the Sheep: The Beast of Mossy Bottom,' which ventures into the horror genre. The film features Shaun the Sheep, a popular claymation character created by Aardman, in a terrifying tale involving "frankenfood," villagers armed with pitchforks, and a monster with distinctive orange hair. The production is taking place at Aardman's facility located in Unit 1410 on the Aztec West industrial estate in Bristol, England. This industrial estate, originally opened by Margaret Thatcher in December 1989, spans 160 acres and houses approximately 7,000 employees across 100 companies, including notable names like EDF, EE, HSBC, Co-op Legal, and Spandex. The estate also boasts amenities such as a gym, spa, church, and a morgue. Within this setting, Aardman has recreated a miniature farm scene named Mossingham, complete with sheep, rolling fields, and a small parish town featuring a post office, war memorial, and a fish and chip shop. This meticulously crafted farm is only two feet tall and made of plasticine. As of January 2026, Aardman Animations is approximately halfway through the production of 'The Beast of Mossy Bottom.' The studio employs around 300 staff, with 30 animators each working to produce nearly two seconds of footage per day. The narrative of 'The Beast of Mossy Bottom' is described as a "terrifying tale" that explores themes of unnatural food creation and the fear of the unknown, deviating significantly from the typical lighthearted adventures of Shaun the Sheep. The film's plot involves a monster, which is visually characterized by its "suspiciously stiff orange hair," and a community driven to confront it with primitive weapons. This foray into horror marks a notable departure for the Shaun the Sheep franchise, which is generally known for its family-friendly, comedic content. The creation process involves detailed stop-motion animation, a hallmark of Aardman's work, where individual frames are meticulously crafted to bring the plasticine characters and sets to life. The development of 'The Beast of Mossy Bottom' underscores Aardman's continued commitment to innovative storytelling within the stop-motion medium, exploring darker themes while retaining the charm and visual distinctiveness of its iconic characters.
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