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The Guardian Culture2 min read

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Oscars Race Faces Existential Questions Amidst Festival Underwhelm

Oscars Race Faces Existential Questions Amidst Festival Underwhelm

The 2025 Academy Awards race is currently characterized by a notable lack of buzz and a departure from the traditional fall film festival circuit as a primary launchpad for potential contenders. Reporting from festivals like Venice, Telluride, and Toronto in the fall of 2025 was described as "underwhelming," a stark contrast to previous years where festival premieres reliably signaled strong Oscar prospects. This shift is further highlighted by the success of films like "Sinners," which transitioned from a box-office hit to a legitimate contender without a festival debut, and "One Battle After Another," which bypassed festivals entirely to win Best Picture. This trend represents a significant change from the pipeline that previously launched winners such as "Birdman," "Spotlight," "12 Years a Slave," and "The King's Speech." The last fall festival film to secure the Best Picture Oscar was "Nomadland" in the Covid-affected season. Beyond the awards season, there's a broader observation of a general scarcity of excitement for new cinematic offerings, with a perceived difficulty in finding "something new" as films of lower quality occupy significant screen space. Industry publications suggest that studios are increasingly hesitant to risk negative buzz or potential embarrassment for A-list talent, opting to avoid the pitfalls exemplified by films like "White Noise" or "Joker: Folie à Deux," in contrast to the critical and commercial successes of "The Shape of Water" or "Poor Things." While the upcoming season is expected to feature new films starring prominent actors such as Tom Cruise, Timothée Chalamet, Anne Hathaway, Christian Bale, Amy Adams, Daisy Edgar-Jones, Ben Affleck, and Mikey Madison, none of these anticipated projects are slated for a festival premiere. This strategic avoidance of festivals by major studios and talent indicates a recalibration of how films are positioned for awards consideration and audience engagement, moving away from the established festival-to-Oscars pathway. The traditional role of fall festivals in generating early awards momentum appears to be diminishing, prompting a re-evaluation of the Oscar race's dynamics and the strategies employed by filmmakers and studios to capture critical and public attention.

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