By Interestana AI Editorial — AI-drafted, human-overseen. How we report
Graphic Novel Imagines US-China War, Warns Against Authoritarianism

A new graphic novel by Chinese-Australian artist Badiucao and Chinese-American journalist Melissa Chan, titled "You Must Take Part in Revolution," imagines a future where the United States and China are at war in 2035. The creators' primary objective is to counter the growing trend of "Chinamaxxing" among Western youth, which often romanticizes Chinese culture and life, by reminding them that "authoritarianism everywhere is bad." The graphic novel aims to provide a stark contrast to the often superficial and ironic engagement with Chinese culture seen in online trends.
The "Chinamaxxing" phenomenon, characterized by young people in Western countries adopting elements of Chinese culture such as drinking Tsingtao beer, eating congee, and mimicking Chinese mannerisms, has gained traction through social media platforms like TikTok. Content creators have produced videos showcasing experiences in Chinese cities like Chongqing and Chengdu, and even engaging in activities on landmarks like the Great Wall of China. While often presented as an ironic or humorous trend, the creators of "You Must Take Part in Revolution" see a need to address the underlying perceptions and potential naivety associated with this fascination.
Badiucao and Chan intend for their graphic novel to serve as an educational tool, particularly for the younger generation who may be drawn to the aesthetic or perceived lifestyle associated with China without fully understanding its political realities. By depicting a hypothetical conflict, they aim to highlight the severe consequences of geopolitical tensions and the pervasive nature of authoritarianism. The narrative is designed to provoke critical thinking about global politics and the importance of democratic values, urging young audiences to recognize the dangers of unchecked state power regardless of its origin.
Melissa Chan, a journalist, and Badiucao, an artist known for his satirical political commentary on China, bring their distinct perspectives to the project. Chan's journalistic background likely informs the factual grounding and geopolitical context of the narrative, while Badiucao's artistic style is expected to deliver a powerful visual message. The collaboration seeks to bridge the gap between cultural appreciation and political awareness, ensuring that fascination with a country does not overshadow a critical understanding of its governance and societal structures. The graphic novel's release is timed to engage with a generation that is increasingly influenced by digital media and global cultural flows, providing a counter-narrative to idealized portrayals of China.
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