Kinology Sells ‘The Green Eyes’ to Benelux, Switzerland, Turkey

Kinology has secured pre-sales for the upcoming film ‘The Green Eyes,’ directed by Fanny Liatard and Jérémy Trouilh, to multiple territories. The film, which was featured in the Locarno Film Festival's lineup, has been sold to Benelux distributors Cinart, Switzerland's Filmcoopi, Turkey's Chantier, and MCF for the former Yugoslavia region. Haut et Court, a producer of the film, will handle distribution within France. This announcement marks the initial international sales for the project, signaling early market interest.

‘The Green Eyes’ is the latest directorial effort from Liatard and Trouilh, who previously collaborated on the critically acclaimed film ‘Gagarine.’ That film, released in 2020, garnered significant attention for its unique narrative and visual style, exploring themes of community and displacement in a Parisian housing project. The directors’ established track record with ‘Gagarine’ likely contributed to the swift pre-sales for ‘The Green Eyes,’ as Kinology, acting as the sales agent, leverages the filmmakers' growing reputation. The film’s title, ‘The Green Eyes,’ suggests a potential thematic or narrative focus, though specific plot details have not yet been widely disclosed.

The involvement of Kinology, a prominent international sales company known for representing a diverse range of independent films, further underscores the project's potential. Kinology’s role is crucial in connecting films with distributors worldwide, facilitating their release to broader audiences. Their selection of ‘The Green Eyes’ indicates confidence in its artistic merit and commercial viability. The company’s portfolio often includes films that premiere at major festivals, aligning with ‘The Green Eyes’ debut at Locarno. The festival’s platform provides a significant launchpad for films seeking international distribution.

The distribution strategy for ‘The Green Eyes’ includes a robust approach to key European markets. The pre-sales to Benelux, Switzerland, Turkey, and the former Yugoslavia demonstrate a strategic expansion into territories with established film-going cultures. Haut et Court’s commitment to French distribution ensures a strong domestic release, often a vital component for a film’s overall success and subsequent international appeal. The film’s journey from festival premiere to these initial sales highlights the intricate process of film financing, production, and global market penetration within the contemporary cinema landscape. The directors’ previous work, ‘Gagarine,’ achieved distribution in over 30 countries, setting a precedent for the international reach of their subsequent projects.