Belgian Production "Exit" Features Acrobatic Farce

The production "Exit," presented at Zoo Southside in Edinburgh, features four performers who engage in a dynamic display of comings and goings within a scaffold structure. This Belgian production, choreographed by Piet Van Dycke, utilizes a set with multiple doors to create a sense of constant movement and near-misses among the cast. The choreography emphasizes tension-building and release as the acrobats navigate the space, often moving in unison or narrowly avoiding each other. The initial presentation is described as frivolous and family-friendly, with a subtle suggestion of underlying narratives related to modern relationships, potentially alluding to dating apps and the concept of 'swiping right.'

As the performance progresses, "Exit" shifts towards more intricate and serious acrobatic sequences. A notable element of the show is the series of subtle costume changes that are deliberately designed to be almost imperceptible to the audience. This technique adds a layer of sophistication to the performance, requiring close attention from viewers to notice the transitions. The overall effect of the production is a blend of physical comedy, often bordering on farce due to the rapid pace and frequent slamming of doors, and a more refined display of acrobatic skill. The performers' ability to build and break tension through their physical interactions is a key component of the show's success.

The review highlights the spatial awareness and coordination of the performers as they interact with the set and each other. The use of the scaffold structure with its cutaway design and numerous doors facilitates the continuous flow of action, creating a visual rhythm of arrivals and departures. The description of the performers as a 'circus squad' who 'drive each other up the wall' encapsulates the energetic and sometimes chaotic nature of their interactions. The recommendation to take a side seat suggests that the staging is designed to offer different perspectives on the intricate choreography and the spatial dynamics at play. The production aims to create an engaging experience through its combination of physical performance and subtle thematic undertones, making it a noteworthy event in the Edinburgh performance landscape.