Carlos Acosta: Myths and Modern Masters review – superstar returns with style, the Stones and his daughter

Carlos Acosta, the globally renowned Cuban dancer and current director of Birmingham Royal Ballet and his own company, Acosta Danza, has made a notable return to the stage at the Royal Opera House in London. The program, ambitiously titled "Myths and Modern Masters," presents an eclectic mix of dance works, drawing dancers from both of Acosta's esteemed companies and featuring Acosta himself in select pieces. While the title might be considered a "stretch" by some, it effectively encapsulates the diverse repertoire on display, which spans classical ballet, contemporary choreography, and distinctly Cuban influences, reflecting Acosta's rich artistic heritage.

At 53 years old, Acosta's physical capabilities may have evolved from his peak years as a principal dancer, but he compensates with an undeniable stage presence and profound emotional depth. His performance in José Limón's seminal 1949 ballet, "The Moor's Pavane," was a particular highlight. This powerful work distills Shakespeare's tragic play "Othello" into a four-character drama, focusing on the destructive forces of deception, jealousy, and revenge. Acosta took on the role of Othello, embodying the character's descent into madness with compelling intensity. He was joined by Beatrice Parma as the innocent Desdemona, Max Maslen as the manipulative Iago, and Miki Mizutani as Emilia. The ballet's choreography, characterized by measured steps and stylized gestures, is set to the stately courtly music of Henry Purcell, creating a dramatic and visually striking tableau.

Beyond this classical cornerstone, the program delves into contemporary pieces, showcasing the versatility of the dancers and Acosta's commitment to a broad spectrum of choreographic styles. The inclusion of Cuban elements further underscores Acosta's deep connection to his roots and his dedication to promoting Cuban dance artistry on an international platform. The review notes the charisma Acosta continues to exude, supported by an impressive ensemble of dancers from Birmingham Royal Ballet and Acosta Danza, companies he has steered with distinction since transitioning from a celebrated solo career. The mention of his daughter's participation hints at a potential intergenerational legacy within the dance world, adding a personal dimension to the performance. The "Myths and Modern Masters" program, therefore, stands as a testament to Acosta's enduring artistic evolution, his influence as a director, and his unwavering passion for the art of dance, skillfully bridging different eras and styles with his signature flair and interpretive power.