Lido Pimienta Addresses Class Struggle and Colombian Politics

Colombian-Canadian musician Lido Pimienta expressed concerns about the potential impact of Colombia's presidential election on left-wing artists. Speaking in the run-up to the election, Pimienta voiced worries that candidate Abelardo de la Espriella, described as "so rightwing," might implement policies like fracking and increase US influence. She noted De la Espriella's past rhetoric, including a statement about wanting to "disembowel the left," which he later dismissed as a figure of speech. Pimienta feared that artists with left-leaning views would be "target number one" under a De la Espriella presidency. De la Espriella ultimately won the election, receiving praise from Donald Trump and promising "a new era, a change of order."

Pimienta, who is 39 years old, has consistently used her music to address issues of racism, colonialism, misogyny, and industry expectations. Her breakthrough second album, "La Papessa," released in 2016, won Canada's Polaris prize, notably beating Leonard Cohen's "You Want It Darker." Her work is characterized by genre-defying sounds, often incorporating elements like dembow with classical music, and is noted for its "indignation."

The artist has also spoken about her views on wealth and class, stating, "Being a billionaire is so tacky!" This sentiment reflects a broader theme in her work that confronts exploitation and class struggle. Pimienta's artistic approach involves confronting societal issues directly, as seen in her engagement with the political climate in Colombia and her critique of the music industry. She is also exploring new creative directions, referencing a desire to go "Enya mode," suggesting a potential shift or expansion in her musical style.